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HOUSE MUSIC - What is House Music
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The First House
Records - Part 2
As Disco music began
to wane in New York during the late 1970's to
early 1980's, there now was a drought of new
records available for Frankie Knuckles especially to play
within Chicago.In New York,
this problem was solved by the invention of HipHop
and Electro music for many of the Djs
there! But in Chicago, Disco music was
still loved.
Frankie Knuckles began
looking at ways where he prolong the Disco vibe within
the various nights where he played out to within Chicago.
By doing this it made him look backwards and analyse his
older music within his music collection. |
As the 1980's,approached,
Frankie experimented and began to play sounds that were
more "dubbed up" in style rather
then the straight forward Soulful styles of Disco
that he was reknown for. He started introducing sounds
from group such as The Peech Boys and D-Train, within
his sets. He also started buying and including obscure
imports, especially from the country of Italy
- where the music of Disco was refusing to die!
Frankie also started on making re-edits
of songs that were firm favourites with the crowds that
were with him originally at the Warehouse. He was using
techiques that he had seen New York Djs
using years before to keep the party going at their venues.
He started employing these ame new ideas and experiments
in his sets in the Warehouse night club during the early
1980's. |
Even Frankie states, "A
lot of the stuff I was doing early on I didn't even bother
playing in the Club, because I was busy trying to get
my feet wet and just learn the craft. But by 1981, when
they declared that Disco music was dead, all the record
labels were getting rid of their dance departments, or
their Disco departments, so there was no more uptempo
dance records, everything was downtempo. Thats when I
realised I had to start chaning certain things in orddr
to keep feeding my dancefloor. Or else we would have had
to end up closing the club" - Source taken
from the Book called "Last Night a Dj saved my life"
- Headline Press - London
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Using a Reel to Real tape recorder,
and assisted by his friend Erasmo Rivieria,
who was studying Sound Engineering at the time. Frankie
would take weird tunes like "Walk the Night"
by the Skat Brothers, or Jazzy Disco tunes like "
A little bit of Jazz" by the Nick Straker,
and re-edit them, extending the intro's and breaks, adding
new Beats and sounds to them, to make them work better
for the dancer at the Warehouse.
Frankie adds, "Even stuff
like I'm every Women and Ain't Nobody by Chaka Khan, just
things like that. completely re-edit them, to give my
dance floor an extra boost. I'd rearrange them, extend
them and rearrange them" - Source taken
from the Book called "Last Night a Dj saved my life"
- Headline Press - London

His Warehouse
audience loved this. This technique was new,
and hadn't been tried before in Chicago, as it already
had been in New York - of which this technique was at
least 5 years old in New York city.
But it was now working here now in Chicago! Soon he
was running tape projects they would contain complex
mixes, as he ran new rhythms, baslines and drum tracks
underneath familiar favourite tracks. It is these experiments
that helped to create the music that we call House today
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Djs were to go away and experiment
themselves on the styles that heard at the Warehouse
via hearing Dj Frankie Knuckles and at the Music
Box via hearing Dj Ron Hardy and of course hearing the
Dj's at the radio station called "WBMX"- or
known to everyone within Chicago as theThe Hot mix 5,
on much cheaper and more powerful electronic Music computers,
sequencers and Drum machines!
House music was Disco music,
made by Amateurs. House music was Disco.
Its rhythms, its basslines, even its spirit - was recreated
on machines that gave a near feeling to musical instruments
- but never really got there! The kids that would eventually
take up the "chalice" left
behind by those Dj experiments as mentioned above were
at clubbers first of all rather then musicians themselves.
The Dj's (mentioned above!), who had
aimed to preserve a music which had been declared dead
(Disco), had created another from its ashes.
The Dj's aim was to drive the dancers into states of
pure hypnotic fury, using endless rhythm tracks that work
the dancefloor via the use of a great vocal within the
song - Source taken from the Book called "Last
Night a Dj saved my life"
This style of music (House music)
demanded an endless supply of simple, repatitive drum
rhythms. The peoples of Chicago soon began to notice how
these sounds that Dj's of the calibre of Frankie
Knuckles, Dj Ron Hardy and the Hot mix 5 Dj's were
coming up with and starting to experiment themselves!! |
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