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Jazz/Funk Musical Influence with House and Garage Music!


Tania Maria, Brazil with her hit single and Album called Come with me


In recent issues I have stressed the importance of DISCO music within the field of Garage, Soulful House and Deep HOUSE Music. I have decided in trying to explain the importance if (I can) of the music called Jazz/Funk, which has also had on the continuing explosion the "our scene". However, much of the explanation will featured along the lines of the UK. No, I'm not trying to fly the flag of the UK. No that wasn't the intention at all. What I am trying to convey to you all is how the scene or culture that was built up within the English club culture of yesterday year via the music that was created by American artists (yet again - We have seen this happen many times before...haven't we!!)

This has allowed DJ's, artists, performers; worldwide to this create this form of House music to flourish through it within its samples!! (Jazz Funk Samples)

In its hey day the term, "Jazz/Funk" was as much used today as "Garage & House music". Certain records played today within the field of Garage & House music owes its thanks to this gene of music (Just listen to the Samples and try and work out where they originated from!). During the "Rare Groove" revival within England - 1986/87( London and the South of England, especially), many people who discovered a liking to 1970's funk and Jazz music, but were scared of making that transition to the House clubs. They found welcoming homes within these newly opened Jazz clubs that were now springing up because of the massive interest within this music.

Why? Well one reason for this happening was that these same Jazz clubs were beginning to feature more Funk cuts with their previously strict code of only playing or indulging in Jazz cuts or tracks. When mentioning the period of Jazz/Funk (in England), then one has to mention the word Fusion (Jazz Fusion) within the same breath. As its name implies, it encompassed a variety of music and different kinds of artists.

For instances how could Donald Byrd (Usa), a leading trumpeter for 30+ years be classed in the same breath as a group of young black teenagers from London, known as Light of the World; and be both known as Jazz Funk artists?

Am I confusing you? Maybe I will give you a little history to try and clear this up! By the 1950's, Soul music was becoming popular. It was also the time that Jazz musicians like Horace Silver started to play in a style known as Hard Bop or Funk Jazz. Many Soul Musicians adopted the Funk style of Jazz that had become popular, and Black dance music boom was born. In the beginning, it was innovators such as Miles Davies that used or incorporated Rock Rhythms into his playing which made integration of Jazz with other forms of music credible. A wider musical view is also thought that it allowed for the music of Jazz Funk to be created in the same breath.

By the mid 1970's, many of the uptempo Jazz/ Fusion recordings were very popular indeed. A popular DJ at the time called Chris Brown stated that, "It was because the most danceable of these Jazz Fusion recordings contained Funk Rhythms, that the music became known within the UK as JazzFunk. This term is generally used in the UK, to describe all the different styles of what is really Jazz/Fusion music."

At first, the music that was played was exclusively American imports. Most featured from artists such as Donald Byrd, Herbie Hancock, Lonnie Listen Smith and Roy Ayers. These were artists that had a long apprenticeship within the world of Jazz, but had now decided to try their hand with incorporating Funk music into their playing styles.

Eddie Henderson - Prance On is still considered a classic

Many records that were labeled Jazz /Funk within that period of time were really straight forward Soul tracks. Jazz/Funk music was much more of a British phenomenon in much so much that the music that was being championed over here within the UK. As it wasn't being accepted or appreciated within the USA; where these artists actually learned their trade from, or were born there. Musicians such as Lonnie Liston Smith noticed this by quoting, "Jazz/Funk is the music of the 80's, and it's too early for the Usa".

The Jazz/Funk music movement within the UK, wasn't just wholy about the music. It was about the dance music culture as well. We had ( within the UK ) created a movement and a culture of our own.

Taking the initial ideas from the Northern Soul scene of the late 1960's and early 1970's, (a scene in which the North of England was dedicated "and still is to the musical Soul music styles of the labels such as Staxx, Motown and other quality, yet obscure Deep South Soul music of America that was prominent during the late 1960's!! - Ask about clubs such as the Wigan Casino, in Wigan; and The Torch Club in Stoke, both in Northern England) The notion of all dayers and all-nighters, bank holidays parties began to become fashionable in the Southern areas of England (London, Colchester and many parts of Essex!!) for Jazz Funk music - in the early 1980's.

Tom Browne with his album called Rockin Radio - featuring the huge club hit Brighter tommorrow

A series of all nighters took place at venues such as the Goldmine and Lacey Lady at the Canvey Island, in Essex, England (That were geared for Jazz Funk Music). These venues helped create enough momentum to create enough interest for an even larger events to take place. It was at the event called the Caister Weekender in Great Yarmouth, England; that saw for the first time an event truly dedicated towards the appreciation of the Funky sounds of America ; plus the the addition of everybody's favourite - Jazz/Funk music.

The Caister Soul Weekenders became very popular, very quickly. Alot of "high jinks" took place there as well which saw a mixture wild party antics like shaving foam attacks in the middle of the night or morning, and sexy clothing competitions.

Because of the popularity of the music, events such as the Caister Soul Weekenders were attracting people from all parts of England!!! Many bands that were booked to play at these events were up and coming UK bands, who were inspired by the same music coming from the states. Leading exponents were Light of World, Hi Tension, Central Line, UK Players and Second Image.

The group called Hi Tension wereone of the first UK Funk - Jazz /Funk bands to gain a top ten chart recognition with the track "Hi-Tension", and then with a second single called "The British Hustle".

Hi Tension were one of the first Uk Funk- Jazz/Funk bands to  hit the Uk Top ten Charts

But for some reason or another Hi-Tension with all before them didn't break through as expected. Everyone in the music business thought that it was only a matter of time that they went on capture the Uk Hearts. But nothing every went accordingly to plan. And they were soon to break up.

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