IntroCultStudiesCoverIntroducing Cultural StudiesI just thought...

Icon Books (UK), Totem Books (USA). Republished 1999 (ISBN 1-84046-74-1)

Written by Ziauddin Sardar, Illustrated / designed by Borin Van Loon
Cultural Sudies signals a major academic revolution as we movbe into the new millennium. But waht exactly is it and how is it applied? It is a discipline which claims not to be a discipline - a radical critical approach for understanding racial, national, social and gender identities.

Introducing Cultural Studies provides an incisive tour through the minefield of this complex subject, charting its origins in Britain and its migration to the USA, Canada, france, Australia and Southern Asia, examining the ideas of its leading exponents and providing a flavour of its use around the world. Covering the ground from Gramcsi to Raymond Williams, postcolonial discourse to the politics of diaspora, feminism to queer theory, technoculture and the media to globalization, itserves as an insightful guide to the essential concepts of this fascinating area of study. It is essential reading for all those concerned with the quickening pulse of old, new and emerging cultures.

The pages contains lots of grids and frames to contain and provide background for visuals and text - this made a lot of extra work, but I think it was worth it. The whole thing is held together by frequent appearances of a little character I invented whom we came to call 'Cultural Studies Woman'. Yes, she does appear to be little rotund but I don't think she's pregnant, just nicely spherical.

The Permeable Self

Three illustrations from Introducing Cultural Studies
were selected by the judges in 1999's Images Exhibition and book (organized by the
Association of Illustrators) and toured the U.K....


Ashis Nandy (brush & fingerprint) / Postmodern Girl (brush & paper-print) / Antonio Gramsci (dip pen)

Review section

Don't be put-off by the comic book format. This beginner's guide is peppered with names and ideas essential for understanding cultural studies. "Cultural studies started as a dissenting intellectual tradition outside academia, dedicated to exposing power in all its cultural forms...it has now become...a part of the academic establishment". (http://www.bridactive.org/booklist.html (East Yorkshire College Library))

...Of course, one reason cultural studies' history is currently being pored over is that it now has a past to revisit. It is this history that is depicted and retold in Sardar and Van Loon's "Cultural Studies for Beginners". Unlike Sedgwick's methodical alphabetical listing of definitions, this is a text telling a story with a narrative. With its liberally illustrated form containing pictures a-plenty it also radically differs from Edgar and Sedgwick's straight text layout. Sardar and Van Loon's effort is in fact the latest volume in the Icon series, which, itself paralleling the late 20th century popular culture fad of the graphic novel (i.e. comics for grown-ups), explains sometimes dense academic subjects in pictorial-strip style. From the outset the series, like the Guardian's cult Biff cartoons, has had a vaguely cultural studies bent with previous titles on postmodernism, semiotics, Foucault, Baudrillard and the like. This particular title thus plugs a glaring and long-standing gap. Fittingly enough, it is reviewed in Cultural Studies 12(4) by J. Macgregor Wise.
It seems we have come a long way from early manifestations of the subject which drew together critics including E. P. Thompson (1959), Raymond Williams (1958) and, most trenchantly, Richard Hoggart (1958; 1995) in a negative cultural consensus against a backdrop of Britain's declining status as a world power, where the end of its empire and a general fear of the deluge of lowbrow US trash are all seen as threatening to erode Britain's cultural identity. All of the above are pictured, although Orwell's (1937) fear of the insidiousness of mass culture and its attendant hidden agenda of class oppression and subjugation is absent; as is, even more oddly, the similarly oriented pre-war Frankfurt school critique (e.g. Adorno and Horkheimer, 1979) of the supposed manipulative powers and negative homogenising effects of popular culture. Lots of what Sardar and Van Loon seem to be communicating to us is the axiomatic truth that many of these arguments are cyclical. Thus whilst Hoggart's (1958) attacks on the 'levelling down' process through which working class purity was under threat from mass culture may now appear quaint in form (e.g. railing against 'canned and packeted provision' and the 'juke box boys' as the 'rich full life' gives way to 'the immediate, the present, the cheerful'), parts of the analysis have been repeated with regularity since, although the targets have of course shifted: violent videos, McDonalds, Sony Playstation and the Internet being modern substitutes. As David Morley points out, cultural studies is attacked because much of what it says is common sense, but, importantly, in some ways it is the inexorable rise of cultural studies that has made this so. (from 'Culture Shock' by Rupa Huq) (http://culturemachine.tees.ac.uk/Reviews/rev7.htm)

This is a great, short introduction to Cultural Studies in comic book form (along the lines of Freud for Beginners) written by a fairly heavy-hitter in the field. An impressive overview. Some professors have had trouble ordering it locally, but it can be ordered from amazon.com for only $8.76.
(http://www.sou.edu/English/IDTC/Issues/CultStud/cultstud.htm (Southern Oregon University))

You know, I love this series. I have the book on Mathematics and the book on Chaos. You can read them in one sitting, they're in comic book format, and they give the basic info you don't seem to get in university. I don't know why that is. Maybe because you spend all your time reading the original texts. And because survey courses, which give you an overview of the field, have died out for various reasons... (Caterina Fake from caterina.net)

... The discipline of cultural studies must have a new paradigm for the common analysis of canonical as well as non-canonical texts. Ziauddin Sardar and Borin Van Loon in their recent book "Introducing Cultural Studies" have tried to show the presence of this exciting field of study in academic work within the arts, the humanities, the social sciences and even science and technology. They take a fleeting, though rather interesting, view of the contribution of Raymond Williams, Richard Hoggart, Stuart Hall and E.P. Thompson to the whole enterprise of cultural studies. Interestingly, all these pioneers came from a working- class background and tried to understand the role of culture at a critical point in a deeply class-ridden English society. Culture to them was more of a commodity that is constucted with the sole purpose of class struggle for cultural domination, a war for legitimacy and social status waged by the elites...
(Shelley Walia in the on-line edition of 'The Hindu', India's national newspaper) (http://www.hinduonnet.com/thehindu/2001/07/15/stories/1315017v.htm)

Cultural Studies is now a hot field of study, but actually what is it about? What is culture? What is Cultural Studies? This book tells where cultural studies originates and how it spreads all over the world. This book also serves as a guide to the essential concepts that are covered in Cultural Studies that gives a clear basic concept on the subject. (http://zerosbook.org)

LIGHT ESSAY OF CULTURAL STUDIES. Ziauddin Sardar's "Introduction to Cultural Studies" is nothing more than the title indicates. This lenghty essay merely presents basic concepts that are prevalent in a postmodern discourse between societal values, power relations, and the value placed on cultural "norms" given in various communities. Sardar presents the history of Cultural Studies as a discipline, which begins in a social context, but the analysis of which, takes place by various sociologists, philosophers (primarily Freud, Nietzche, and Hegel), and literary minds. Overall, the essay is enlightening as an introduction, a good preface to the discourse(s) one finds in most disciplines today. Rating: 4 . [No mention of the illustrations, then...]
(http://www.anybook4less.com/detail/1840460768.html)

Recommended Text. We won't be making direct reference to this book in the course, but I recommend it as an accessible introduction to key theories in comic-book format. (http://www.ucfv.bc.ca/scms/MACS_courses.htm)


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